Anne Whitney, 1821-1915

A drawing of Anne Whitney estimated from 1860. Photo credit - Wikipedia

A 19th century independent "New Woman", poet and a sculptress, known for statues that reflect her political and social views as an abolitionist and women’s rights advocate.

Born in Watertown, Massachusetts to a family of Unitarians and abolitionists. Her interest in the arts began in childhood, first as a poet and later on as a sculptress. At the age of 34, Whitney made her first portrait busts, and at 38, she published a collection of her poems but decided to focus mainly on sculpturing.

To get a better understanding of the human body, Whitney moved to New York to study anatomy at Brooklyn Hospital, and then to Philadelphia to study drawing and modeling. When she was 46 years old, Whitney and her life partner, Abby Adeline Manning, moved to Rome to learn new sculpturing practices and creating art using nude male models (which was considered inappropriate in the US).

At the age of 52, two years after she returned to the USA, Whitney started to work on her most famous work – a sculpture of Samuel Adams, located in the National Statuary Hall Collection in Washington, DC. As part of the ‘New Women’ Movement, Whitney believed that the best way to express her social and political viewpoint is via art. She created many statues, among them were of leading figures of the Suffrage Movement, such as Frances Willard and Lucy Stone, political figures such as the Haitian leader Toussaint Louverture, and the philanthropist Alice Tileston Hemenway.

Whitney lived an unconventional and independent life, opened her own studios and traveled through Europe and the US. She was an abolitionist and fought for women’s rights. These days her art pieces are presented around the US, in museums and other public spaces.

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“You are welcome, world, to criticize, carp and croak yourself hoarse if you will.”

“You are welcome, world, to criticize, carp and croak yourself hoarse if you will.”

Fun Facts

  • In the sculpture ‘Africa’ she depicts the freedom of an entire race.
  • In ‘Lady Godiva’ she represents the burden of taxes been lifted.
  • She won a blind contest for her sculpture of Charles Sumner. When the judges realized that the winner is a woman, they gave a man to prepare it. Their justification was that a woman couldn’t sculpt a man’s legs accurately.
  • She and her partner for 40 years, Abby Adeline Manning, were connected through "Boston Marriage" - a long term relationship between two educated women.

Creations By and About Her

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Category: Arts and Literature & Poetry
Tags: 19th Amendment Centennial Anniversary, Abolitionist, Greater Boston Women, LGBTQ, Poet, Sculptress, and Suffragist

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Abigail-Smith-Adams-WWP
Activism & Feminism

Abigail Adams, 1744-1818

A Founding Mother of the United States, a Women’s Rights Advocate, and the Second First Lady.

Abigail Smith was born and raised in Massachusetts. Her father was a liberal minister, her mother was a member of the famous Quincy family mother, and she had two sisters. At a time when women were not allowed to receive a formal education, she was homeschooled and satisfied her appetite for knowledge at the family’s library, forming progressive views. After a two-year courtship, she married John Adams, a country lawyer, and became his closest advisor and partner. They settled in the house John had inherited from his father in Braintree, MA. When his practice expanded, John had to frequently travel while Abigail managed their finances, investments, household, and growing family. For a while, they even moved to Boston next to his practice. Between 1784 and 1788, Abigail joined John in his diplomatic missions in Paris and London. On March 4th, 1797, John became the second president of the United States, and she was the first lady. They lived in the Presidential Mansion in Philadelphia and later in the White House in Washington, DC. She was a politically active first lady, made frequent public appearances, and was involved in the decision-making process, paving the way for future first ladies to be proactive figures. When John lost presidential re-election, the family retired to Peacefield in Quincy in 1800. During his frequent travels before and during the presidency, the couple corresponded in more than 1100 letters, where Abigail demonstrated her talent for writing and opinionated spirit. In one of those letters, she urges her husband to consider women’s rights in the new legislation after independence, warning that if not given equal representation: “women will rebel.” He dismissed her suggestion by writing back that it makes him laugh, but her words “remember the ladies” became an iconic feminist slogan. Before her death, she wrote a will favoring her female relatives. It was an act of protest against the laws prohibiting married women from owning assets. This post is also available in: Español Read more...
Adelaide-Johnson-WWP
Arts

Adelaide Johnson, 1859-1955

A feminist artist and sculptress, known as “The sculptor of the women’s suffrage movement.”

Born as Sarah Adeline Johnson in Plymouth, IL, to a family of farmers. She received her education attending rural schools, and after graduation, she began her art training, taking classes at the St. Louis School of Design. She was only 18 years old when she exhibited her artworks at the 1877 St. Louis Exposition, and thanks to the prizes she won, she was able to move to Chicago and make a living from her art. At 23, on her way to her studio, she fell 20 feet into an open elevator shaft. She was severely injured, but the compensation fee she was awarded enabled her the financial freedom to study sculpture and painting in Europe. As a feminist and women’s rights activist, she expressed her political views in her art. Among the many individual busts she sculptured, were busts of the Suffrage Movement’s leaders – Elizabeth Cady Stanton, Susan B. Anthony, and Lucretia Mott, which she presented in the World Columbian Exposition in Chicago in 1893 (The busts are currently located at the Belmont-Paul Women’s Equality National Monument Museum). She wanted to put the busts as a group monument at the US Capitol Rotunda but did not get the support at that time. After the 19th Amendment was ratified, she got the funding from the philanthropist Alva Belmont and the commission from the National Woman’s Party. She went to Italy to bring an 8-ton piece of marble to her studio and created her most famous artwork – “Group Portrait Monument to Lucretia Mott, Elizabeth Cady Stanton, and Susan B. Anthony.” The statue was dedicated in a special ceremony on Susan B. Anthony’s birthday, February 15th, 1921, in the US Capitol. This was the pick of Johnson’s career. During the 1930s, her career declined, and she had financial problems. In 1939, 80 years old Johnson invited the press to witness how she destroys her own artworks as a protest against her living conditions as well as against her shattered dream of opening a studio-museum honoring the suffragists and women’s rights organizations. This post is also available in: Español Read more...
Adelina-Otero-Warren-WWP
Activism & Feminism

Adelina Otero-Warren, 1881-1965

A suffrage leader, educator, and politician. The first Latina to run for US Congress and one of the first’s women to serve as a government official in New Mexico.

Adelina “Nina” Otero Warren was born near Los Lunas, New Mexico. Her family was among the early settlers in New Mexico, and her parents were part of the Hispanic elite. When she was 2 years old, her father was killed by an Anglo squatter. A few years later, her mother married an English businessman, and she grew up in a multicultural environment. She was influenced by her mother, who was an advocate for social and educational developments and served as the director of Santa Fe’s Board of Education. At 16, the family relocated to Santa Fe, where she became a socialite. At the age of 26, she married Lieutenant Rawson D. Warren, a cavalry officer who was nine years older than her. Though the marriage did not last long, she kept her x-husband’s last name and called herself a widow, so she would not be stigmatized as a divorced woman.   At 31, Nina moved to NYC to keep house for her brother. There, she became active in Anne Morgan’s settlement house, working alongside the famous suffragist Alice Paul and organizing crafts programs for working-class women. Two years later, her mother died, and Nina returned to Santa Fe to take care of her half-siblings. Upon her arrival, she started working for the Congressional Union for Woman Suffrage. Soon she became the first Mexican-American state leader of the Congressional Union in New Mexico, raising support from the Spanish-speaking community as well as from the English-speaking community. Using her family connections, she was a successful lobbyist for voting in favor of the Nineteenth Amendment, and she had a key role in its ratification in 1920. In 1922, at the age of 41, Nina ran as the Republican Party nominee for New Mexico to the US House of Representatives – The first Latina to run for the US Congress. During her campaign, she spoke Spanish and advocated for the improvement of education, health care, and welfare services, as well as for the preservation of Hispano heritage and culture. Ultimately, she lost the election by less than 9%, probably because it was discovered that she was a divorcee, not a widow. In 1917 Nina was appointed as the Santa Fe Superintendent of Instruction – one of the first women to serve as government officials in New Mexico. In her 12 years in office, she worked tirelessly to improve the education of Hispano. This post is also available in: Español Read more...
Adrienne-Rich-WWP
Literature & Poetry

Adrienne Rich, 1929-2012

An award-winning American poet, essayist, and feminist thought influencer, who was called “one of the most widely read and influential poets of the second half of the 20th century.”

During her long and productive career, Rich published more than 30 books of poetry and essays. In her writing, she explored issues of gender, racism, consumerism, class privilege, and politics. She was considered a radical figure in Second Wave Feminism, yet she was accepted by the institutions, won many awards, and is now considered a classic. The first one was for the collection of poetry, which she published at 22. The same year she graduated from Radcliffe College. Adrienne Cecile Rich was born in Baltimore, MD, and over the years she taught English, poetry, and creative writing at several institutions, including Swarthmore College, Columbia University, City College of New York, and Scripps College in Claremont. Among her most influential works, were two texts that dissected heterosexuality and motherhood as socially constructed institutions. In both cases, she provided a critical perspective toward every woman’s freedom to choose. In the case of Compulsory Heterosexuality, for example, she presented the notion of Lesbian Continuum as an alternative way of thinking about the variety of relationships between women. Both in her poetry and her non-fiction writing, the honestly spoke of taboos, like that of motherhood. In her book “Of Woman Born”, she points out to the difference between motherhood as an experience and an imposed political institution. Her mother was a concert pianist who put her career aside to raise her family, while her father developed his career as an academic. Rich embodied the feeling that she was the benefactor of her mother’s sacrifice. When awarded the 1973 National Book Award, she declared that she accepted it on behalf of all women and shared it with her fellow nominees, Alice Walker and Audre Lorde. In 1997 she refused the National Medal of Arts, she did so to express her critique of the Clinton administration. Her famous quote from the refusal letter stated: “art means nothing if it simply decorates the dinner table of the power which holds it hostage”. By her thirties, she was married and had three children. After her husband’s suicide, she had a relationship with novelist and poet Michelle Cliff. This post is also available in: Español Read more...
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