Meredith Bergmann, 1955

Meredith Bergmann WWP

Photo credit - courtesy of Meredith Bergmann

A sculptress and poet, famous for creating the Boston Women’s Memorial and for her contribution to the regeneration of public monuments in the US.



Meredith Gang was born in New Jersey to secular Jewish parents who encouraged her to make art and have social awareness. She graduated with a Bachelor Degree in Fine Art from The Cooper Union in 1977 and the following year traveled to Europe, settling shortly in Pietrasanta, Italy to further develop her sculpting skills. The breakthrough came after 20 years of practice when she won her largest public commission, that of the Boston Women’s Memorial.

Her work is informed by her timely interest in complex histories, female and racial representation in public spaces. Those themes come across in her public installations such as Countee Cullen memorial in New York Public Library and September 11th Memorial for the Cathedral of St. John.

Bergmann won the commission to create the first monument of “real women” in Central Park, NYC, which was dedicated on August 26th, 2020. The monument has gained public attention since, among the 22 historical statues in the Park, there were none commemorating women, only fictional characters like nymphs, Alice in Wonderland, and Mother Goose. The new monument is called “Women’s Rights Pioneers Monument,” devoted to the suffragists Sojourner Truth, Susan B. Anthony, and Elizabeth Cady Stanton.

She started studying poetry at the age of 48. Her poems since appeared in various publications, she served for a decade as the poetry editor of American Arts Quarterly and published a poetry chapbook. Bergmann is married to film director Michael Bergmann, with whom she collaborated as Production Designer. The two have a son and live in Ridgefield, Connecticut.

Sculptor of first women s statue in Central Park

(21 Nov 2019) SOUNDBITE (English) Meredith Bergmann, sculptor:
"I think about what it would have meant to me as a child to see this monument, to know these histories. I think about the size of it, the scale of it, where it will be and who it will affect. And I am incredibly moved to have been chosen to add this to New York City."
SCULPTOR MEREDITH BERGMANN RECOGNIZES THE HONOR OF CREATING THE FIRST STATUE OF WOMEN IN NEW YORK'S CENTRAL PARK.
BERGMANN'S MONUMENT TO THREE LEADERS IN THE FIGHT FOR WOMEN'S RIGHTS - SUSAN B. ANTHONY, ELIZABETH CADY STANTON AND SOJOURNER TRUTH - WILL TAKE ITS PLACE AMONG THE  23 STATUES OF MEN AND TWO FICTIONAL WOMEN - MOTHER GOOSE AND ALICE IN WONDERLAND - CURRENTLY IN THE PARK.
SOUNDBITE (English) Meredith Bergmann, sculptor:
"This monument is a contemporary evocation of the 19th century monument that should have been built for these women and wasn't. That is part of why it is being allowed to be erected in Central Park. Which is full  of 19th century monuments to great men but none to great women."
IT HAS TAKEN SIX YEARS FOR THE STATUE TO BECOME A REALITY.
THE EFFORT WAS SPEAR HEADED BY THE NONPROFIT MONUMENTAL WOMEN WHICH HAS RAISED $1.5  MILLION TO FUND THE STATUE.
THE IDEA INITIALLY MET OPPOSITION FROM PARK OFFICIALS WHO BALKED AT PUTTING ANY MORE STATUES IN THE 166-YEAR-OLD  PARK.
SOUNDBITE (English) Pam Elam, President, Monumental Women:
"So we said, could you show me where that is written. Is it a law or a regulation or some sort of codification of 'THERE SHAL BE NO OTHER STATUES' ? And of course they couldn't because they made it up as they went along. "
FINAL APPROVAL WAS GRANTED IN OCTOBER AFTER SEVERAL REDESIGNS AND THE ADDITION OF SOJOURNER TRUTH, AN ESCAPED SLAVE AND WOMEN'S RIGHTS ACTIVIST.
SOUNDBITE (English) Gale Brewer, Manhattan Borough President:
"There were different changes and I think there was a concern that there'd be a woman of color who was part she was part of the decision making for all of us to vote. And Sojourner Truth also was a New Yorker."
THE ORIGINAL DESIGN WAS CHOSEN FROM 91 ENTRIES.
BERGMANN SAYS THE CURRENT DESIGN SHOWS A SLICE IN TIME OPEN TO INTERPRETATION.
SOUNDBITE (English) Meredith Bergmann, sculptor:
"It's a group of three women in conversation, the exact moment in the conversation is up to you to decide who is who is listening to whom, who is speaking to whom."
THE MONUMENTAL TASK OF CREATING THE NINE FOOT TALL STATUE HAS PUT BERGMANN ON A TIGHT TIMELINE.
SOUNDBITE (English) Meredith Bergmann, sculptor:
"Because of the time urgency of this project, which working backward from August 2020, when they are to be unveiled, we need a number of weeks for installation, four to six months for bronze casting, which means six months for bronze casting and then a month for mold making. I have to finish these by the end of this month."
THE MONUMENT WILL BE DEDICATED ON AUGUST 26TH 2020 MARKING THE 100 ANNIVERSARY OF AMERICAN WOMEN WINNING THE RIGHT TO VOTE.
JOSEPH FREDERICK, ASSOCIATED PRESS, NEW YORK

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“Something that is merely beautiful is not art enough for me. It needs layers of meaning that unfold over time.”

“Something that is merely beautiful is not art enough for me. It needs layers of meaning that unfold over time.”

Fun Facts

  • Her late-blooming career as a poet was inspired by the story of Phillis Wheatley – first black female poet published in the United States - whom she depicted in her Boston monument.
  • In July 2021, the FDR Hope Memorial she created was unveiled in Roosevelt Island, NYC. It depicts FDR, sitting on his wheelchairs smiling reaching his right hand to a little girl with polio.

Awards

  • 1977 The Eliot Lash Award for Sculpture, The Cooper Union
  • 2017 Proskauer Prize, National Sculpture Society

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Sculptor of first women s statue in Central Park

(21 Nov 2019) SOUNDBITE (English) Meredith Bergmann, sculptor:
"I think about what it would have meant to me as a child to see this monument, to know these histories. I think about the size of it, the scale of it, where it will be and who it will affect. And I am incredibly moved to have been chosen to add this to New York City."
SCULPTOR MEREDITH BERGMANN RECOGNIZES THE HONOR OF CREATING THE FIRST STATUE OF WOMEN IN NEW YORK'S CENTRAL PARK.
BERGMANN'S MONUMENT TO THREE LEADERS IN THE FIGHT FOR WOMEN'S RIGHTS - SUSAN B. ANTHONY, ELIZABETH CADY STANTON AND SOJOURNER TRUTH - WILL TAKE ITS PLACE AMONG THE  23 STATUES OF MEN AND TWO FICTIONAL WOMEN - MOTHER GOOSE AND ALICE IN WONDERLAND - CURRENTLY IN THE PARK.
SOUNDBITE (English) Meredith Bergmann, sculptor:
"This monument is a contemporary evocation of the 19th century monument that should have been built for these women and wasn't. That is part of why it is being allowed to be erected in Central Park. Which is full  of 19th century monuments to great men but none to great women."
IT HAS TAKEN SIX YEARS FOR THE STATUE TO BECOME A REALITY.
THE EFFORT WAS SPEAR HEADED BY THE NONPROFIT MONUMENTAL WOMEN WHICH HAS RAISED $1.5  MILLION TO FUND THE STATUE.
THE IDEA INITIALLY MET OPPOSITION FROM PARK OFFICIALS WHO BALKED AT PUTTING ANY MORE STATUES IN THE 166-YEAR-OLD  PARK.
SOUNDBITE (English) Pam Elam, President, Monumental Women:
"So we said, could you show me where that is written. Is it a law or a regulation or some sort of codification of 'THERE SHAL BE NO OTHER STATUES' ? And of course they couldn't because they made it up as they went along. "
FINAL APPROVAL WAS GRANTED IN OCTOBER AFTER SEVERAL REDESIGNS AND THE ADDITION OF SOJOURNER TRUTH, AN ESCAPED SLAVE AND WOMEN'S RIGHTS ACTIVIST.
SOUNDBITE (English) Gale Brewer, Manhattan Borough President:
"There were different changes and I think there was a concern that there'd be a woman of color who was part she was part of the decision making for all of us to vote. And Sojourner Truth also was a New Yorker."
THE ORIGINAL DESIGN WAS CHOSEN FROM 91 ENTRIES.
BERGMANN SAYS THE CURRENT DESIGN SHOWS A SLICE IN TIME OPEN TO INTERPRETATION.
SOUNDBITE (English) Meredith Bergmann, sculptor:
"It's a group of three women in conversation, the exact moment in the conversation is up to you to decide who is who is listening to whom, who is speaking to whom."
THE MONUMENTAL TASK OF CREATING THE NINE FOOT TALL STATUE HAS PUT BERGMANN ON A TIGHT TIMELINE.
SOUNDBITE (English) Meredith Bergmann, sculptor:
"Because of the time urgency of this project, which working backward from August 2020, when they are to be unveiled, we need a number of weeks for installation, four to six months for bronze casting, which means six months for bronze casting and then a month for mold making. I have to finish these by the end of this month."
THE MONUMENT WILL BE DEDICATED ON AUGUST 26TH 2020 MARKING THE 100 ANNIVERSARY OF AMERICAN WOMEN WINNING THE RIGHT TO VOTE.
JOSEPH FREDERICK, ASSOCIATED PRESS, NEW YORK

Find out more about AP Archive: http://www.aparchive.com/HowWeWork
Twitter: https://twitter.com/AP_Archive
Facebook: https://www.facebook.com/APArchives
Google+: https://plus.google.com/b/102011028589719587178/+APArchive​
Tumblr: https://aparchives.tumblr.com/​​
Instagram: https://www.instagram.com/APNews/


You can license this story through AP Archive: http://www.aparchive.com/metadata/youtube/473e99531e994bf1b07957c7c52dc04b
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Category: Arts and Literature & Poetry
Tags: Greater Boston Women, Poet, and Sculptress

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Adelaide-Johnson-WWP
Arts

Adelaide Johnson, 1859-1955

A feminist artist and sculptress, known as “The sculptor of the women’s suffrage movement.”

Born as Sarah Adeline Johnson in Plymouth, IL, to a family of farmers. She received her education attending rural schools, and after graduation, she began her art training, taking classes at the St. Louis School of Design. She was only 18 years old when she exhibited her artworks at the 1877 St. Louis Exposition, and thanks to the prizes she won, she was able to move to Chicago and make a living from her art. At 23, on her way to her studio, she fell 20 feet into an open elevator shaft. She was severely injured, but the compensation fee she was awarded enabled her the financial freedom to study sculpture and painting in Europe. As a feminist and women’s rights activist, she expressed her political views in her art. Among the many individual busts she sculptured, were busts of the Suffrage Movement’s leaders – Elizabeth Cady Stanton, Susan B. Anthony, and Lucretia Mott, which she presented in the World Columbian Exposition in Chicago in 1893 (The busts are currently located at the Belmont-Paul Women’s Equality National Monument Museum). She wanted to put the busts as a group monument at the US Capitol Rotunda but did not get the support at that time. After the 19th Amendment was ratified, she got the funding from the philanthropist Alva Belmont and the commission from the National Woman’s Party. She went to Italy to bring an 8-ton piece of marble to her studio and created her most famous artwork – “Group Portrait Monument to Lucretia Mott, Elizabeth Cady Stanton, and Susan B. Anthony.” The statue was dedicated in a special ceremony on Susan B. Anthony’s birthday, February 15th, 1921, in the US Capitol. This was the pick of Johnson’s career. During the 1930s, her career declined, and she had financial problems. In 1939, 80 years old Johnson invited the press to witness how she destroys her own artworks as a protest against her living conditions as well as against her shattered dream of opening a studio-museum honoring the suffragists and women’s rights organizations. Share:This post is also available in: Español Read more...
Adrienne-Rich-WWP
Literature & Poetry

Adrienne Rich, 1929-2012

An award-winning American poet, essayist, and feminist thought influencer, who was called “one of the most widely read and influential poets of the second half of the 20th century.”

During her long and productive career, Rich published more than 30 books of poetry and essays. In her writing, she explored issues of gender, racism, consumerism, class privilege, and politics. She was considered a radical figure in Second Wave Feminism, yet she was accepted by the institutions, won many awards, and is now considered a classic. The first one was for the collection of poetry, which she published at 22. The same year she graduated from Radcliffe College. Adrienne Cecile Rich was born in Baltimore, MD, and over the years she taught English, poetry, and creative writing at several institutions, including Swarthmore College, Columbia University, City College of New York, and Scripps College in Claremont. Among her most influential works, were two texts that dissected heterosexuality and motherhood as socially constructed institutions. In both cases, she provided a critical perspective toward every woman’s freedom to choose. In the case of Compulsory Heterosexuality, for example, she presented the notion of Lesbian Continuum as an alternative way of thinking about the variety of relationships between women. Both in her poetry and her non-fiction writing, the honestly spoke of taboos, like that of motherhood. In her book “Of Woman Born”, she points out to the difference between motherhood as an experience and an imposed political institution. Her mother was a concert pianist who put her career aside to raise her family, while her father developed his career as an academic. Rich embodied the feeling that she was the benefactor of her mother’s sacrifice. When awarded the 1973 National Book Award, she declared that she accepted it on behalf of all women and shared it with her fellow nominees, Alice Walker and Audre Lorde. In 1997 she refused the National Medal of Arts, she did so to express her critique of the Clinton administration. Her famous quote from the refusal letter stated: “art means nothing if it simply decorates the dinner table of the power which holds it hostage”. By her thirties, she was married and had three children. After her husband’s suicide, she had a relationship with novelist and poet Michelle Cliff. Share:This post is also available in: Español Read more...
Alice-Dunbar-Nelson-WWP
Literature & Poetry

Alice Dunbar Nelson, 1875-1935

A poet, journalist, playwright, and political activist. Associated with the Harlem Renaissance of the 1920s.

Alice Ruth Moore was born in New Orleans, Louisiana, the daughter of a Creole seaman and a former enslaved black seamstress. After graduating high school at 14, she attended a teacher-training program at Straight University, and at 17, she began teaching at an Elementary school in New Orleans. She became involved with activism at the Phyllis Wheatley Club and wrote for the Woman’s Era Club newspaper – the first newspaper created for and by African American women. In 1895, she published her first collection of poems, essays, and short stories titled “Violets and Other Tales.” That same year she moved to NYC, where she helped establish the White Rose Mission – a settlement house for colored girls. Furthering her education, she took courses at the University of Pennsylvania and Columbia University. Her writings for the Woman’s Era newspaper caught the attention of the poet and journalist Paul Laurence Dunbar, and in 1898, after two years of correspondence, she moved to live with him in Washington, DC, and they got married. Their relationship fertile their writing but was also disruptive and abusive. He raped her before they got married, and after three years of violent behavior, she left him and moved to Wilmington, Delaware. There, Dunbar taught at various institutes, including Howard High School, the Hampton Institute, and the State College for Colored Students. She never stopped studying, and at 32, she received her M.S degree from Cornell University. In 1913, Dunbar worked as the co-editor and writer for the A.M.E. Review – the African Methodist Episcopal Church’s newspaper. She met poet and civil rights activist Robert J. Nelson, and they got married in 1916. Although she was always involved in political activism, supporting the women’s rights movement and working toward the empowerment of women of color, it was only in 1918 that Dunbar-Nelson was appointed to an official role in the movement as a representative of the Woman’s Committee of the Council of Defense. In 1920, she became the co-editor of the progressive black newspaper, the “Wilmington Advocate.” In that same year, she published a literary anthology, aiming at black readers, titled “The Dunbar Speaker and Entertainer.” At 45, Dunbar-Nelson was a successful and popular writer, consistently publishing articles, columns, and essays in newspapers as well as in academic journals. Dunbar-Nelson became a speaker at various events, including the 1928 American Negro Labor Congress Forum in Philadelphia. After she moved with her husband to Philadelphia in 1932, her health declined, and two years later, she passed away at the age of 60. Dunbar-Nelson is a representative of the beginning of the Harlem Renaissance of the 1920s. Her writing is characterized by complex understandings of race, gender, and ethnicity. In her work, Dunbar-Nelson explored issues that she dealt with as a woman of color, especially her mixed-raced experiences, not belonging here or there. She wrote about her perspective of education opportunity, workplace environment, and social oppression, inspiring generations of black writers to come. Share:This post is also available in: Español Read more...
Alice Walker WWP
Literature & Poetry

Alice Walker, 1944

A novelist, poet, and social activist. The first African-American woman to be awarded the Pulitzer Prize for Fiction.

Alice Malsenior Tallulah-Kate Walker was born in Eatonton, Georgia, the youngest of eight children of sharecroppers. At 8, she was injured in her eye after her brother played with a BB gun, causing her permanent blindness in one eye. The mark on her eye made her an easy target to her classmates, so she turned to poetry for comfort. Growing up in the segregated south, she attended an only black kids’ high school, from which she graduated valedictorian. Her high scores granted her a full scholarship to Spelman College, where she studied for two years before transferring to Sarah Lawrence College in NYC. In this period, Walker had an abortion which caused her suicidal thoughts. She wrote all about it in her poems. In 1965, at the age of 21, Walker moved to Jackson, Mississippi, and became active in the civil rights movement. She worked for the Legal Defense Fund of the National Association for the Advancement of Colored People and as a consultant in black history to the Friends of the Children of Mississippi Head Start program while serving as writer-in-residence in various academic institutes publishing essays and short stories. At 23, she married Melvyn Rosenman Leventhal, a Jewish civil rights attorney. At the time, interracial marriage was illegal in the south, and the couple had to travel to NYC to get married. On their return, they became the first legally married interracial couple in Mississippi since 1822, when the miscegenation laws passed. During their nine years of marriage, they suffered recurring harassment from the Ku Klux Klan. In 1970, at 26, Walker published her first novel, The Third Life of Grange Copeland, following the life of an abusive sharecropper husband and father. Three years later, she was appointed editor of Ms. Magazine, published her second poetry collection and her first collection of short stories. In 1976, Walker returned to NYC and published her second novel Meridian, about several civil rights activists in the south during the 1960s. In the late 1970s, she moved to California, where she wrote her best-known work, The Color Purple. Published in 1982, the novel explores the struggles of a black woman in the racist and patriarchal society of 1900s Georgia. The book was a best-seller, and in the following year, 39 years old Walker became the first African-American woman to win the Pulitzer Prize for Fiction. Later the novel was adapted into a film featuring Oprah Winfrey and Whoopi Goldberg and a Broadway musical produced by Quincy Jones and Oprah Winfrey. In 1984, she co-founded the feminist publishing company Wild Tree Press. She deepened the world of some of her characters from The Color Purple in two of her novels, The Temple of My Familiar and Possessing the Secret of Joy, and created new characters that allowed her to delve into other social issues, such as female sexuality in By the Light of My Father’s Smile from 1998, and identity questions in Now Are the Time to Open Your Heart from 2005. Throughout the decades, Walker published seven novels, ten poetry collections, four short stories collections, four children’s books, and a dozen collections of essays and articles. In all of her work, Walker deals with the struggles of black people, especially women, and their experiences in sexist, racist, and violent surroundings. Often using Black vernacular, which highlights the hundreds of years of slavery and oppression, she had dealt with complex topics such as rape, isolation, bisexuality, and troubled relationships within the black community. Walker is a long-time social and political activist, promoting and fighting for various causes, from black and women’s rights to environmental issues, Palestinians’ fight for independence, and the elimination of female genital mutilation. Share:This post is also available in: Español Read more...
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