Kristen Visbal, 1962

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Fearless Women Visitng Fearless Girl Statue WWP

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A sculptress, best known for the statue The Fearless Girl located in front of the New York Stock Exchange in NYC.



Kristen Visbal was born in Montevideo, Uruguay, where her father worked as an American Foreign Service diplomat. After high school, she attended the University of Arizona and then the University of Maryland. Afterward, she worked shortly in sales and marketing before returning to school, graduating with a BA in Art from Salisbury University in Maryland. At the age of 33, Visbal began to work as an apprentice of wildlife sculptor William Turner. Then, she apprenticed at the Johnson Atelier Art Foundry for three years, practicing various aspects of Lost Wax Bronze Casting, including mold making and wax chasing.

At 36, Visbal moved to Lewes, Delaware, and established a studio of her own. Her work is both abstract and realistic and varied in size – from miniatures to public monuments. Her sculptures can be recognized for their fluid movement and fine details. Among her, public installations are- the 12-foot-high monument of Alexander Hamilton, the ten-foot Sea Express of a boy and dolphin for Jacksonville Beach, FL, and many more. Her most famous work is the statue of Fearless Girl installed at Manhattan’s Financial District. It is a 50 inches bronze figure of a girl holding her hands on her hips and chin up. It was commissioned to advertise an index fund that invests in companies with a high percentage of women in their management level. It was installed on March 7th, 2017, a day before International Women’s Day, facing the Charging Bull massive sculpture, but later moved to stand in front of the New York Stuck Exchange. The Fearless Girl statue calls for action to have more women involved in the business world, in companies boards, to increase gender diversity, and to change the future of women in the male-controlling finance field.

FEARLESS GIRL Statue | Artist Kristen Visbal Reflects One Year Later

Artist Kristen Visbal created the statue Fearless Girl, which was installed opposite the iconic Charging Bull near Wall Street on International Women's Day in 2017.

Exactly one year later, Visbal spoke about the message of the statue, what has happened in business, and what she hopes comes next.

"I think it marks a moment in history, when we unveiled Fearless Girl last year, of global awareness of the benefits of diversity," Visbal said. "So now, we're just moving forward. This is not rocket science."

The firm State Street Global Advisors, which owns the statue, is in talks with New York City officials to find this casting a permanent home.

CREDITS

Shot by Andre Greller
Edited by Arun Kristian Das

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Fun Facts

  • Her mother was a painter.
  • It took her 400 hours to complete Fearless Girls – from sketch to cast.
  • Fearless Girl’s original name was “Taking a Stand.”

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FEARLESS GIRL Statue | Artist Kristen Visbal Reflects One Year Later

Artist Kristen Visbal created the statue Fearless Girl, which was installed opposite the iconic Charging Bull near Wall Street on International Women's Day in 2017.

Exactly one year later, Visbal spoke about the message of the statue, what has happened in business, and what she hopes comes next.

"I think it marks a moment in history, when we unveiled Fearless Girl last year, of global awareness of the benefits of diversity," Visbal said. "So now, we're just moving forward. This is not rocket science."

The firm State Street Global Advisors, which owns the statue, is in talks with New York City officials to find this casting a permanent home.

CREDITS

Shot by Andre Greller
Edited by Arun Kristian Das
Share:

This post is also available in: Español

Category: Arts
Tags: NYC Women and Sculptress

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Arts

Abby Aldrich Rockefeller, 1874-1948

A socialite and philanthropist. The co-founder of the Museum of Modern Art (MoMA) and its biggest donor.

Abigail Aldrich Rockefeller was born in Providence, Rhode Island. Her father was a Republican senator, and she grew up traveling back and forth between Rhode Island and Washington, DC. She was educated by a Quaker governess till she was 17 years old, and then attended Miss Abbott’s School for Young Ladies in Providence. During her upbringing, she was introduced to socialite and political circles, and at 19 years old, she made her official social debut. The following year, she embarked on an extensive European tour, where she visited many museums and art galleries and began to sharpen her skills as an art collector. At 20 years old, she met John Davison Rockefeller Jr., the son of the businessman and philanthropist John Davison Rockefeller Sr. After five years of courtship, the couple married at a big society wedding. The young Rockefellers settled in NYC, first in 13 W. 54th Street in Manhattan and later in 10 W. 54th Street. Rockefeller was a philanthropist in the heart, and she devoted herself to various charities. She donated money to the girl scouts, chaired the Auxiliary 336 of the American Red Cross, was a member of the Young Women’s Christian Association National Board, and served as chairman of different committees of the organization. In 1918, Rockefeller was chosen to chair the Housing Committee of the War Work Council, in which she worked for the improvement of living conditions for working women. She later applied the concept to the employees of Standard Oil – her husband’s family firm, purchasing land and building homes for the workers as well as a Community Center that included a clinic, nursery school, gym, and even a bowling alley. In 1925, Rockefeller revived her love for art and began collecting paintings and drawings mainly of contemporary American artists as well as European modernists such as Vincent van Gogh, Pablo Picasso, and Henri de Toulouse-Lautrec. Within a few years, she converted part of the room in her 7th floor Manhattan apartment into a gallery, where visitors could view the art on display. In 1929, alongside Lillie P. Bliss, Mary Quinn Sullivan, she co-founded the Museum of Modern Art (MoMA) in NYC – the first museum in the US devoted entirely to the modern movement. Rockefeller held several positions in the museum management team, from treasurer to Vice-President and Vice-Chairman, as well as served in its committees. She pushed for establishing the museum’s film library and for the War Veterans’ Art Center – a rehabilitation program for WW2 veterans through art. Rockefeller’s dedication to art expanded outside of MoMA; she donated art pieces to other institutes, including the Metropolitan Museum of Art and The Met Cloisters, the Rhode Island School of Design, and the Ludwell-Paradise House at Colonial Williamsburg. She passed away after suffering a heart attack at the age of 73. Share:This post is also available in: Español Read more...
Ada Louise Huxtable WWP
Arts

Ada Louise Huxtable, 1921-2013

An architecture critic and a writer. Received the first-ever Pulitzer Prize for Criticism.

Born Ada Louise Landman in NYC, an only child in a middle-class Jewish family. Growing up in Manhattan, Huxtable loved strolling along the streets, fascinated by its building, such as the Grand Central Terminal, the Metropolitan Museum, and the Museum of Natural History. She studied art at Hunter College, graduating magna cum laude, and then architectural history at NYU Institute of Fine Arts. At the time, she worked in Bloomingdale’s furnishings department, where she met her soon-to-be husband, Garth Huxtable. In 1946, at 25, Huxtable landed a job as an assistant curator of architecture and design at the Museum of Modern Art. After five years, she left her job to study Italian architecture in Italy for a year. Upon her return, she began writing as a contributing editor for various art and architectural journals. At the age of 37, she received a Guggenheim Fellowship, in which she examined the structural and design advances of American architecture. In 1963, 42 years old Huxtable was hired as the first architecture critic at The New York Times, a position she held for almost 20 years. In her column, she wrote about new and old buildings, threatened buildings, and bad-designed buildings. She also mentioned emerging architects, architectural trends, movements, and exhibitions. Huxtable encouraged the everyday readers to look at buildings from a new perspective, not as an assembly of bricks and pilasters but as a public statement with history and meaning. Raising awareness of the city’s heritage, the urban environment, and civic engagement, she set the tone for modern architecture criticism, for which, at the age of 49, she was the first-ever to be awarded the Pulitzer Prize for Criticism. In 1981, at the age of 60, Huxtable received a MacArthur grant that allowed her in-depth research on subjects she was interested in, such as the development of the skyscraper, the negative impact of postmodernism building, and preservation vs. modernity. At 76, she returned to writing for the public as an architecture critic for The Wall Street Journal, publishing columns for the next 15 years. Throughout her career, Huxtable was involved in various committees, serving as a fellow at the American Academy of Arts and Sciences, a member of the Architectural Selection and Building Design Committees for the Getty Center, Getty Villa, and as a Jury member for The Pritzker Architecture Prize. She published more than 10 books on architecture, including “Kicked a Building Lately?,” “Goodbye History,” “Hello Hamburger,” and a biography of Frank Lloyd Wright. Huxtable died in NYC at 91. Share:This post is also available in: Español Read more...
Adelaide-Johnson-WWP
Arts

Adelaide Johnson, 1859-1955

A feminist artist and sculptress, known as “The sculptor of the women’s suffrage movement.”

Born as Sarah Adeline Johnson in Plymouth, IL, to a family of farmers. She received her education attending rural schools, and after graduation, she began her art training, taking classes at the St. Louis School of Design. She was only 18 years old when she exhibited her artworks at the 1877 St. Louis Exposition, and thanks to the prizes she won, she was able to move to Chicago and make a living from her art. At 23, on her way to her studio, she fell 20 feet into an open elevator shaft. She was severely injured, but the compensation fee she was awarded enabled her the financial freedom to study sculpture and painting in Europe. As a feminist and women’s rights activist, she expressed her political views in her art. Among the many individual busts she sculptured, were busts of the Suffrage Movement’s leaders – Elizabeth Cady Stanton, Susan B. Anthony, and Lucretia Mott, which she presented in the World Columbian Exposition in Chicago in 1893 (The busts are currently located at the Belmont-Paul Women’s Equality National Monument Museum). She wanted to put the busts as a group monument at the US Capitol Rotunda but did not get the support at that time. After the 19th Amendment was ratified, she got the funding from the philanthropist Alva Belmont and the commission from the National Woman’s Party. She went to Italy to bring an 8-ton piece of marble to her studio and created her most famous artwork – “Group Portrait Monument to Lucretia Mott, Elizabeth Cady Stanton, and Susan B. Anthony.” The statue was dedicated in a special ceremony on Susan B. Anthony’s birthday, February 15th, 1921, in the US Capitol. This was the pick of Johnson’s career. During the 1930s, her career declined, and she had financial problems. In 1939, 80 years old Johnson invited the press to witness how she destroys her own artworks as a protest against her living conditions as well as against her shattered dream of opening a studio-museum honoring the suffragists and women’s rights organizations. Share:This post is also available in: Español Read more...
Adena Friedman WWP
Economics & Finance

Adena Friedman, 1969

A businesswoman, the president and CEO of Nasdaq, the first woman in this position and to lead a global exchange.

Born Adena Robinson Testa in Baltimore, Maryland. She earned her BA in political science from Williams College in Massachusetts and an MBA from Vanderbilt University’s Owen Graduate School of Management. In 1993, at the age of 24, she married Michael Cameron Friedman. In that same year, she joined Nasdaq as an intern and soon began moving up. In her first 18 years at Nasdaq, Friedman served in various positions, such as marketing manager, head of data products, head of corporate strategy, and Chief Financial Officer. In 2011, at 42, Friedman left Nasdaq to join Carlyle Group, a private investment firm in Washington DC. There, she served as Chief Financial Officer and Managing Director. After three years, she returned to Nasdaq as president and Chief Operating Officer. In 2017, in addition to her role as president, 48 years old Freidman was appointed CEO of the Nasdaq. The first woman in this position and the first woman to lead a global exchange. She oversees the company’s business segments, focusing on efficiency, product development, expansion, and growth. Under her leadership, Nasdaq transformed into a leading global exchange and technology solutions company, operating across six continents. In addition to her work in Nasdaq, Freidman is also a member of several boards. Among them are – the board of directors at the Federal Reserve Bank of New York, the board of FCLTGlobal – a non-profit organization that works on ways to encourage long-term investing, and the board of Greater Washington, DC. A Chapter of Junior Achievement – a non-profit organization that supports teens in their way to financial independence. Freidman often speaks about women in leadership positions, advocating for mentoring and creating career opportunities for women in the financial industry. Share:This post is also available in: Español Read more...
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